I will be at the police station for the first few minutes of class. I want you to read "To His Coy Mistress" as a class (it is in your textbooks) and discuss it as a class. You will teach me the poem when I get back from the police.
Homework: Read "God's Grandeur" in your textbook and mark it up. Come to class prepared to discuss about how the poem (particular the sounds) create meaning. If no-one is prepared you will have a quiz.
According to Merriam-Webster Dictionary:
Definition of LITANY
1 a prayer consisting of a series of invocations and supplications by the leader with alternate responses by the congregation
2 a : a resonant or repetitive chant
b : a usually lengthy recitation or enumeration: example litany of formal complaints
NOTE:
The litany has been used by poets for Political Poems, Poems of
Complaints, Poems of Empowerment. Remember the handout: "Song No. 2" -
"i say. all you sisters waiting to live" (you can listen to this poem on
NPR - here)
Here is a link to a litany by Billy Collins.
Blank Verse:
Broadly defined, any unrhymed verse but usually referring to unrhymed
iambic pentameter (NOTE: HAMLET is blank verse). Most critics agree
that blank verse, as it is commonly defined, first appeared in English
when the Earl of Surrey used it in his translation of books 2 and 4 of
Virgil's THE AENEID. It appeared for the first time in Thomas Sackville
and Thomas Northon's GORBODUC. Over the centuries, blank verse has
become the most common English verse form, especially for extended
poems, as it is considered the closest form to natural patterns of
English speech. Christopher Marlowe, William Shakespeare, and
especially John Milton (particularly in his epic PARADISE LOST) are
generally credited with establishing blank verse as the preferred
English verse form.
An example from Robert Frost's "Birches"
When I see birches bend to left and right
Across the lines of straighter dark trees
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay
As ice-storms do....
Free Verse :
Poetry that lacks a regular meter, does not rhyme, and uses irregular
(and sometimes very short) line lengths. Writers of free verse
disregard traditional poetic conventions of rhyme and meter, relying
instead on parallelism, repetition, and the ordinary cadences and
stresses of everyday discourse. In English the form was made important
by Walt Whitman.
Example:
poetry readings
by Charles Bukowski
poetry readings have to be some of the saddest
damned things ever,
the gathering of the clansmen and clanladies,
week after week, month after month, year
after year,
getting old together,
reading on to tiny gatherings,
still hoping their genius will be
discovered,
making tapes together, discs together,
sweating for applause
they read basically to and for
each other,
they can't find a New York publisher
or one
within miles,
but they read on and on
in the poetry holes of America,
never daunted,
never considering the possibility that
their talent might be
thin, almost invisible,
they read on and on
before their mothers, their sisters, their husbands,
their wives, their friends, the other poets
and the handful of idiots who have wandered
in
from nowhere.
I am ashamed for them,
I am ashamed that they have to bolster each other,
I am ashamed for their lisping egos,
their lack of guts.
if these are our creators,
please, please give me something else:
a drunken plumber at a bowling alley,
a prelim boy in a four rounder,
a jock guiding his horse through along the
rail,
a bartender on last call,
a waitress pouring me a coffee,
a drunk sleeping in a deserted doorway,
a dog munching a dry bone,
an elephant's fart in a circus tent,
a 6 p.m. freeway crush,
the mailman telling a dirty joke
anything
anything
but
these.
"poetry readings," by Charles Bukowski from Bone Palace Ballet © Ecco, 2002.
Two Litanies
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